One need not be a studio manager or movie director to immediately understand the implications of this model on informing investment decisions across given scripts that are being considered for funding. I also think that this reiterates that a well-considered model can still beats so-called experts at making this kind of decision. To my surprise the model provides guidelines on possible Box Office receipts when the dollar value of making films varies over time. So the question I would ask the authors is how this time function was accounted for and whether the model can be tweaked to predict the number of tickets sold instead. As I have mentioned in a separate blog post, comparing movies by the number of tickets sold is more accurate when they are made in different time periods.
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